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      <image:title>Contact</image:title>
      <image:caption>Jane Gabriels, Ph.D. (she/her) is a performer, writer, curator/producer. She was recently a Visiting Scholar at the Institute for Performance Studies, Simon Fraser University, and co-taught a course on WOMEN IN HIP-HOP FROM THE BIRTHPLACE with Caridad De La Luz and Rokafella at the University. She’s worked for 20+years as Director of the non-profit, Pepatián:Bronx Arts CoLABorative, and in 2018, moved to Vancouver, British Columbia to work as Executive Director, “Dance West Network: connecting artists and communities in motion”, formerly known as “Made in BC - Dance on Tour,” an arts service organization that supports and connects dance artists with audiences throughout the province.  She co-edited and contributed writings based on artists in The Bronx for the publications Curating Live Arts: Critical perspectives, essays, and conversations on theory and practice (Berghahn Books, 2018), and Essays from Configurations in Montreal: Performance curation and communities of colour (Duke Univ and Concordia Univ, 2018), as well as contributing an essay about dance maker Merián Soto to Latina Outsiders (Routledge Press, 2019).  Jane produced two documentary videos: "Women in Hip-Hop Rep the Bronx” and "Out of La Negrura/Out of Blackness in the Bronx” (distributor: Third World Newsreel). In Vancouver, she created an annual residency project to support emerging dancers and writers of colour. She was interviewed by Soldanela Rivera, Notes from a Native Daughter. Audio available here. Ideas about levitation are the focus of her next performance project.  She believes in expansive thinking and motivating other artists to Go For It. photo by Marisol Diaz-Gordon</image:caption>
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    <lastmod>2024-06-17</lastmod>
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    <lastmod>2023-11-13</lastmod>
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    <loc>https://www.janegabriels.com/work/crosby-nursery-dd22p</loc>
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    <lastmod>2021-09-04</lastmod>
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      <image:title>Work - SONGS - EXPERIMENTAL CITY</image:title>
      <image:caption>Audio engineer: T.M.E. Pro Studio (Bronx, NY), Fred Sepulveda Viens Ici - production, instrumentation and arrangement by lala productions Cover art: Liam Kelly with support from Yoko Kikuchi and technical prowess of Leslie Plumb .</image:caption>
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      <image:title>Work - SONGS - EAST VILLAGE LOVE AFFAIR</image:title>
      <image:caption>Produced by Mike Kohler and JG, recorded by Mike Kohler at goldenbug recording, NYC. Drawing by Jose Ortiz. Cover design: Christine Darch</image:caption>
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      <image:title>Work - SONGS - FIRST OUT THE DOOR</image:title>
      <image:caption>Produced by Jack McKeever and Jane Gabriels. Recorded and mixed by Jack McKeever at the maids room, NYC. Mastered by Dave McNair at The Cutting Room, NYC. Photo by Marisol Diaz at Astor Place.</image:caption>
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      <image:title>Work - SONGS</image:title>
      <image:caption>Sketch by Christine Darch</image:caption>
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      <image:title>Work - SONGS</image:title>
      <image:caption>Costume by Christine Darch</image:caption>
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    <loc>https://www.janegabriels.com/work/clay-ceramics-g3a4n</loc>
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    <lastmod>2023-11-12</lastmod>
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      <image:title>Work - WRITINGS: JANE INK - I wrote this before</image:title>
      <image:caption>in process 2024, in collaboration with EVR Design</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - FAMILIAS: Dancing Community, a Bronx Story</image:title>
      <image:caption>Published in the FAMILIAS website, a site for research. "Familias- created by Pepatián’s artistic directors Merián Soto and Pepón Osorio- was an artistic and curatorial breakthrough for art and community projects in the South Bronx. As part of local artistic-activist-curation legacies, Familias and inclusionary concepts like “inreach” help spark possibilities of growth by working with existing narratives and materials to create new limits, and valuable possibilities for other visions of utopias." — Jane Gabriels, Ph.D. from Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Preview to an Introduction: Seika Boye and Thomas F. DeFrantz in Conversation</image:title>
      <image:caption>Published in TURBA: The Journal for Global Practices in Live Arts Curation March 2023 Configurations in Motion: Performance Curation and Communities of Colour (1–2 June 2017): Preview to an Introduction I met with Thomas F. DeFrantz and Seika Boye in early 2023 to talk about Configurations in Motion: Performance Curation and Communities of Color—the gatherings, booklets, and the curatorial work—to ask how and if the work remains necessary. To think this through, we looked back at the 2017 conversation and the question posed about how we might cultivate a livable future. This brief essay is part of what resulted. Configurations in Motion: Performance Curation and Communities of Colour (1–2 June 2017): By Way of Introduction As curators of the third iteration of Configurations in Motion: Performance Curation and Communities of Colour in Montréal at Concordia University, in Québec, Canada, from 1 to 2 June 2017, we decided to begin with a few questions to set a frame for the essays that follow in this booklet of conference presentations. Here are our reflections. If you are interested in reading this conversation education or research purposes, please contact: janejane7777@gmail.com</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - The Fellowship: Gloss Response from a Circle of Cedars, October 2020</image:title>
      <image:caption>Dear Erin, I read this essay as an articulation of your practices and as a call to act and manifest them into reality. I also read this writing as its own realization in the world; a story with generative power, developed in community through the telling. .......... published by imagined Theatres</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Singing the East Village Awake: Jeff Buckley, the Sin-é and tales from home ~ A poetic contribution to the musical legacy of Jeff Buckley.</image:title>
      <image:caption>First featured in The Brooklyn Rail, “Jeff Buckley’s Iconic Flame” (May 2017).</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Latina Outsiders Remaking Latina Identity</image:title>
      <image:caption>Latina Outsiders Remaking Latina Identity is an exploration of Latinas on the periphery of both Latina culture and mainstream culture in the United States. Whether they are deliberately rejected or whether they choose to reject sexist, classist, or racist practices within their cultures, the subjects of these articles, essays, short fiction, poems, testimonios, and visual art demonstrate the value of their experience. Essay on the work of Merián Soto Chapter 37. Tracing Elaine Summer’s Dance and Performance Lineage: Performance Notes Published by Routledge</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Beginnings are Everywhere: Reflections on the Coastal First Nations Dance Festival</image:title>
      <image:caption>The Dance Current magazine, Volume 21, Issue 6 Join Jane Gabriels on her journey to the 2018 Coastal First Nations Dance Festival (CFNDF). Responding to the experience from a place of accompaniment, Gabriels pivots from viewer to witness. Includes a statement from Margaret Grenier on CFNDF’s ten-year anniversary</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Curating Live Arts</image:title>
      <image:caption>Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. published by Berghahn Books</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Configurations in Motion: Performance curation and communities of colour, 4th iteration</image:title>
      <image:caption>How do we imagine twenty-first century configurations of performance curation and presenting that acknowledge the particular concerns of audiences and artists of colour? How does performance that relates to people of colour fit into trends of contemporary curatorial practice? Configurations in Motion: Performance Curation and Communities of Colour, 4th Iteration brought together performance curators, artists, and scholars from Vancouver, BC, and from various locations in the United States, to share work, develop resources, and build strategies for supporting performance in, for, and by Black, indigenous and communities of colour in Canada and the United States.</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Configurations in Motion, performance curation and communities of colour Montreal 2017</image:title>
      <image:caption>Canadian and American performance curators, artists, and scholars gathered in Montreal June 1 and 2, 2017 to share work, develop resources, and build strategies for supporting performance in, for and by Black, Indigenous and communities of colour in Canada and the United States. Convened by the department of Art Education at Concordia University, in collaboration with the University of Toronto and the Institute for Dance Studies, SLIPPAGE: Performance|Culture| Technology, and Duke University to explore topics that impact communities of colour.</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Pepatián - Write Your Future vol.1</image:title>
      <image:caption>WRITE YOUR FUTURE: Collected essays 2017-2018-2019 Produced by Pepatián: Bronx Arts ColLABorative, this booklet features nine essays about Dance Artists with writers: Yasmeen Chism, Stephanie George, Melanie Greene, Nina Angela Mercer, Niya Nicholson, Joya Powell, Demetrius Shields</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - The Brooklyn Rail, Music:</image:title>
      <image:caption>Jeff Buckley’s Iconic Flame</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - YOUNG ROOTS, 2011-13</image:title>
      <image:caption>The Young Roots Performance Series began in 2011 as a creation of former Hostos Director Wally Edgecombe in collaboration with Project Director Jane Gabriels, Pepatian. The series supported the work of eight artists/groups: Noemi Segarra and Henry Cole, Raquel Z. Rivera and Catarina Dos Santos, Sita Frederick/Areytos Performance Works, Los Monstritos, Caridad De La Luz/La Bruja, Antonio Ramos, and Rokafella. The purpose of the 2011-13 series was to develop a platform for emerging Latin@ artists to experiment with the artistic roots of Afro-Latino traditions to create new branches that reach into the future. This project also helped support Hostos as a creative incubator for new works.</image:caption>
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      <image:title>Work - WRITINGS: JANE INK - Book of Anarchiving</image:title>
      <image:caption>Not Quite An Anarchive. There are now so many archives in the world, and ever more archiving. As a result, it is no longer a question of "the system" that presents itself, but rather many questions from so many systems, more in fact each day. The need for the anarchive has well and truly arrived. For if the archive promises order and authority, and the ability to do many things, it does so at a sometimes heavy price. The anarchive promises a way out of systems, often from within, to life's living. The Go-To How To Book of Anarchiving is a serial attempt to go where something's happening. - Andrew Murphie This book was produced in a book sprint at the Distributing the Insensible event at Senselab, Concordia University, Montréal, in December 2016</image:caption>
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      <image:title>Work - PROJECTS / PROCESS - Currents of TransAtlantic Relics</image:title>
      <image:caption>el agua alcanza por debajo de todo / water reaches below everything From Ireland to Puerto Rico, from France to Ireland, from Ireland to the east coast of Turtle Island: Montréal, NYC, The Bronx. My mothers side of the family. The Atlantic Ocean; known by the Tuscarora as Kahnawáʼkye and by the Mohawk as Kaniatarowanenneh, (meaning "big waterway"), le fleuve Saint-Laurent / St Lawrence River; known by the Lenape peoples as Mahicantuck, which means "the river that flows two ways, the Hudson River; known by the Siwanoy peoples as Aquehung or “River of High Bluffs,” The Bronx River. And a college paper on the Kwakwa̱ka̱ʼwakw Nation that foreshadowed a later move to the west coast. A great-great grandfather who left Montréal to work in San Francisco, waving hello across the echoes. Becoming your own psychic.</image:caption>
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      <image:title>Work - PROJECTS / PROCESS - HOW DOES A PRACTICE INVENT ITSELF ?</image:title>
      <image:caption>And how to care for your work. An experiment in live journaling with a future installation in mind. Pepatián: Bronx Arts ColLABorative as research site</image:caption>
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      <image:title>Work - PERFORMANCES</image:title>
      <image:caption>PERFORMANCES of past, present, and future elasticities</image:caption>
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      <image:title>Work - PERFORMANCES - Sh’or-e / Gold</image:title>
      <image:caption>A performance work that explores travels of family from Ireland into a future sense of place. A family rescues a girl in the late 1890s after her trip across the northern sea. I took walks in Griffintown, and traveled to the energies of the St Lawrence River and the Atlantic Ocean to retrace part of their journeys. Residencies: The Church at Ochre Pit Cove in Newfoundland with Lois Brown, and Studio D325, Montreal Performances: Studio D325, Casa Popolo</image:caption>
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      <image:title>Work - PERFORMANCES - BECOMING A BOOGIE-DOWN RICAN</image:title>
      <image:caption>A solo work about becoming part of a collective South Bronx community. As a mash-up of influences, movement gestures and textual narratives; it’s my experimentation with and reflections of this incredible borough. Juana Jane links her melodic voice, movement prowess and on beathumor in a daring new performance piece – Charles Rice-Gonzalez, BAAD! This piece is about our day-to-day life in NYC that includes all who live in the city, without discrimination towards background, and with a universal movement vocabulary that reaches and touches everyone of us. - Pedrosorio, NYC</image:caption>
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      <image:title>Work - PERFORMANCES - BECOMING A BOOGIE-DOWN RICAN</image:title>
      <image:caption>Created and performed by Jane Gabriels Directorial Consultant: Miguel Anaya Audio: Arthur Aviles interview, Caridad De La Luz/La Bruja “Nuyorico,” and voice-over by Leenda Bonilla This work was developed through presentations at BAAD!/Bronx Academy of Arts and Dance in their Boogie Down Dance Series, studio showing at Casita Maria Center for Arts and Education, and an excerpt at Pregones Theater. In Manhattan and Brooklyn: SoHo Rep, Dixon Place (at the invitation of Arthur Aviles), Movement Research Judson Church, New York Live Arts/Movement Research studio series, Movement Research Eden’s Expressway, Chez Bushwick, as well as at Cornell University (Ithaca, NY), University of Limerick (Ireland), Northwestern University (Chicago), and in Montreal (Canada): Studio303, Casa del Popolo, mange mes pieds studio, La Elastica, and Sala Rossa.</image:caption>
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